The idea of pan-India films has become a trend, with Telugu filmmakers pushing their movies beyond regional boundaries.
However, apart from big-budget projects like Pushpa 2 and Kalki 2898 AD, most Telugu films have struggled to find an audience outside their home turf.
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Actors like Nani and Naga Chaitanya, who don’t command a dominant market in Telugu states, are aggressively promoting their films across multiple languages. Yet, their efforts haven’t translated into success.
Nani traveled extensively to promote Dasara, Hi Nanna and Saripodhaa Sanivaaram, but these films barely made an impact in the Hindi market. He had hoped Dasara would break out in Hindi like Pushpa did.
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Similarly, Kiran Abbavaram’s Ka failed to click in Malayalam despite heavy promotions.
Naga Chaitanya’s Thandel performed well in Telugu states, but its Tamil, Malayalam, and Hindi versions flopped badly. In Hindi the collections will end up below 75 Lakhs net.
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In fact, the earnings from these markets were so low that they likely didn’t even cover the actors’ travel expenses for promotions.
These repeated failures highlight the need for mid-range actors to rethink their pan-India approach.
Films like Kantara, Karthikeya 2, and Hanu Man clicked because of their content, not because of forced hype. If Telugu filmmakers keep pushing mediocre films just to cash in on the trend, the “South wave” in Hindi belts will die out sooner than expected.
While pan-India marketing sounds ambitious, success depends on stories that resonate across cultures. Until then, mid-range actors might be better off strengthening their core market before chasing expansion.
Because right now, the pan-India tag is doing more harm than good.
