Parasakthi Outrage: Dark Side of Toxic Politics in Cinema

Sivakarthikeyan’s much anticipated film Parasakthi, directed by Sudha Kongara, released in theatres yesterday. The film has opened to mixed responses from audiences and critics, with opinions sharply divided across social media platforms.

Given the blockbuster success of Sudha Kongara’s previous films Irudhi Suttru and Soorarai Pottru, expectations were extremely high. Many viewers now feel Parasakthi fails to live up to that standard and has left them disappointed.

Several audience members have pointed out that the screenplay is the film’s biggest weakness. This criticism comes despite appreciation for the performances of Sivakarthikeyan, Sreeleela, and Jayam Ravi, which are being described as sincere and committed.

Amid these reactions, some social media users are criticising the core concept of Parasakthi. They claim the film promotes open hatred against Hindi and relies on outdated and toxic narratives that could harm the larger fabric of Indian cinema.

According to these critics, language based agendas and stereotypes are often used by politicians to remain relevant. They argue that cinema should instead promote unity and avoid planting divisive or poisonous ideas in the minds of audiences.

At the same time, a section of viewers is praising Parasakthi as one of the best films of the decade. They claim Sivakarthikeyan’s 25th film is winning hearts, though others dismiss such praise as part of organised PR campaigns.

With such contrasting opinions dominating discussions, the box office performance of Parasakthi remains uncertain. The coming days will reveal whether mixed reviews and criticism affect the theatrical run of Sivakarthikeyan’s milestone 25th film.