Ramayana: Makers Trying to Glorify Yash as Ravana?

The upcoming retelling of the Ramayana is focusing strongly on its visual world, with special attention on differentiating Ayodhya, Mithila, and Lanka through set design. The creative team aims to use these contrasting spaces to reflect the deeper values of the epic.

Reports suggest that the sets for Ayodhya and Mithila, the homelands of Lord Ram and Maa Sita, will be deliberately simple. This design choice reflects the sāttvika qualities of restraint, purity, and spiritual clarity that define the central characters, offering viewers a sense of calm dignity rather than overwhelming opulence.

In contrast, Lanka will be shown with grandeur and extravagance. The sets are described as lavish and indulgent, underlining the tāmasika traits associated with Ravana’s world such as excess, pride, and attachment to sensory pleasures. The stark difference is meant to highlight the moral and philosophical conflict at the centre of the Ramayana.

This design strategy goes beyond ornamentation, embedding philosophical meaning into physical space. The contrasting architectural and decorative styles act as symbolic extensions of the text, translating inner values into visible forms. While some may see the difference as extreme, it reflects a conscious attempt to merge aesthetics with spiritual interpretation.

Ultimately, the production appears intent on using set design not only as visual spectacle but also as a way to deepen audience engagement with the timeless themes of the Ramayana.