
He doesn’t want the audiences to watch his film with a preconceived notion that Teja is the director in mind. Once the story reaches the interval portion, the audience would come to a conclusion about whether to watch the second half or not.
So, if it’s a good movie, they can watch it as Teja’s movie, and if it a bad movie, even then, the credit goes to Teja. Besides this, as a director who once was a cinematographer, he sees cinematography as an art, an emotion that a cinematographer paints with lights arrangement.
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