
During the pandemic, OTT platforms became the saviours of cinema when theatres were closed. They paid huge amounts for films and streamed them directly. Even movies that released in theatres were shifted to digital quickly, boosting the platforms’ popularity.
For almost three years, producers enjoyed strong deals, with even mid-budget projects fetching impressive rates. But in the last two years, the trend has reversed. OTTs cut down on acquisitions and reduced the prices they were willing to pay.
Now, it is the producers who are chasing streaming platforms, often settling for much less than expected. But one film has changed the game. Mahavatar Narsimha, an animated Kannada film, has become the hottest property in the market.
Released quietly, the movie shocked everyone with its box office storm. In four weeks, it nearly touched Rs 300 crores across Kannada, Telugu, and Hindi markets. It is still running strong in theatres and pulling family audiences in big numbers.
Interestingly, its producers did not sell the digital rights before release. Whether by design or lack of offers, it entered theatres without an OTT deal. After its success, every major platform is now competing to grab it at premium prices.
Families and children are eagerly waiting for its digital release, adding to the frenzy. Mahavatar Narsimha may secure OTT rights on par with big-budget blockbusters, proving once again that extraordinary content can rewrite industry rules.
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