90-Day Ticket Hike Rule: Nightmare for OTT Deals

Film industry reacts to ticket hike rule

The Telangana High Court’s recent order on ticket price hikes has become a serious talking point in the film industry. By making it mandatory for producers to apply for ticket hike permissions at least 90 days before release, the court has created a new challenge, especially for big and pan India films.

The biggest issue is uncertainty. In today’s film business, locking a release date months in advance is not easy. Many films go through constant changes due to post-production delays, actor availability, VFX work, or even unexpected censor issues. Films like The Raja Saab and The Paradise saw their release plans change multiple times. In some cases, like Jana Nayagan, censor related problems themselves delayed the release. In such a situation, planning everything exactly three months ahead is extremely difficult.

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Another major concern is OTT agreements. When producers sign deals with OTT platforms, they clearly mention a theatrical release date. Based on that date, OTT platforms plan their promotions and streaming schedules. While small changes are sometimes allowed, major postponements usually create problems.

If producers are forced to lock a release date three months early just to apply for ticket hikes, they will also be forced to lock that same date with OTT platforms. If the film later misses that date, producers could face pressure from all sides. This includes OTT platforms, the government, and even the courts.

This is what is worrying producers the most right now. They feel trapped between legal rules and practical realities.

As of now, there is no clear solution. The real impact of this rule will be seen when a huge pan-India film reaches its release window. Films like Peddi, The Paradise, and even dubbed big films like Toxic are all expected to seek ticket price hikes.

Many in the industry believe this could lead to more confusion and even fresh legal battles. Several producers feel that a 30-day notice period would have been practical and fair. A 90-day rule, they say, is realistic only for a handful of films and very hard to follow for the rest of the industry.

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