Dhurandhar presents itself as a film driven by intense action and emotion. The narrative relies heavily on violence and dramatic moments. It attempts to engage viewers through powerful scenes and emotionally charged storytelling.
The films have received strong audience ratings on platforms like Rotten Tomatoes. However, critics have responded less positively. Around 35 percent approved the first film and 43 percent supported the sequel, reflecting a clear divide.
Many critics argue that the films lean towards propaganda. They suggest the narrative focuses more on promoting a specific political image. According to them, the emphasis appears centred around Narendra Modi rather than broader storytelling.
Despite a combined runtime of nearly 7.5 hours, the storyline remains straightforward. It follows an Indian spymaster sending an undercover agent into Karachi. The setting highlights criminal networks linked with intelligence and terror groups.
Interestingly, audience reactions in theatres have stood out. Reports suggest that loud cheers came during scenes featuring archival footage of Narendra Modi. These moments appeared to resonate more than the fictional storyline.
The film’s success seems to come from reinforcing existing beliefs. It does not attempt to present a completely new perspective. Instead, it builds on narratives already familiar to viewers through media exposure.
Bollywood was once seen as largely apolitical, focusing on entertainment. Romantic films and light comedies dominated the industry for years. Even with changes in media, it maintained a relatively neutral tone.
This trend began to shift around 2020 with increased scrutiny and controversies. The industry started becoming more cautious in its approach. Filmmaking gradually reflected changing social and political dynamics.
Since then, there has been a rise in films with strong ideological themes. Movies like The Kashmir Files and The Kerala Story generated significant discussion. However, not all films with similar themes achieved success.
Today, audiences notice a growing divide in storytelling. Certain narratives appear to gain more visibility and acceptance. Others seem to face challenges, including regulatory hurdles.
In this context, the industry appears to be evolving unevenly. One type of cinema is gaining prominence and attention. Meanwhile, another continues to struggle for space and recognition.
