The question around film certification is becoming harder to ignore.
Should films that include sexual assault or rape scenes really be cleared with a U/A certificate?
By definition, U/A allows younger audiences with parental guidance. But when films deal with themes as serious and disturbing as sexual violence, that line starts to feel questionable. These are not just “mature elements”, they are deeply sensitive subjects that demand caution.
However, the bigger concern is not just certification.
It’s how these scenes are being used.
In several recent films, sensitive issues like sexual assault are not always handled with the seriousness they deserve. Instead of being treated with restraint and purpose, they sometimes feel inserted for shock value, to create a sudden emotional spike rather than to serve the story.
That’s where the discomfort becomes real.
For instance, in Ustaad Bhagat Singh, directed by Harish Shankar, the handling of a sensitive track drew criticism for tonal inconsistency. A serious moment is followed by a commercial song placement, which disrupts the emotional weight of the issue.
Similarly, in Pushpa 2, the sudden inclusion of a sexual violence-related theme in the climax feels abrupt and disconnected from the narrative flow. Instead of adding depth, it comes across as an inserted element rather than an organically built part of the story.
These choices raise an important question.
Are such scenes being written with intent, or just for impact?
Because when something this serious is used as a narrative shortcut, it risks trivializing the issue. It shifts the focus from empathy to reaction, from understanding to momentary shock.
That’s where both filmmakers and certification bodies need to step back and reflect.
Stricter certification, moving such films towards an A rating , could be one step. But the real responsibility lies in writing and direction. Sensitive topics need sensitivity in execution, not just presence in the script.
Audiences today are more aware and more vocal. They can clearly see the difference between meaningful storytelling and forced provocation.
And when that line is crossed, it doesn’t just affect the film, it affects how seriously such issues are taken on screen.
Because some subjects demand respect.
And cinema cannot afford to treat them casually.
