For years whenever a remake would bomb, social media would go “Remakes are over! Stop remakes!” Baby John, Deva and Loveyapa all tanked and fueled this notion.
But now Sanam Teri Kasam has re-released, become a massive hit and suddenly… silence. Where are the same people who said remakes are dead?
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According to box office experts, Sanam Teri Kasam was a disaster in 2016, made just ₹9 crore nett in its entire run. But in 2025, its re-release has changed the game.
In just four days it has collected ₹18.35 crore nett more than double its original earnings. Monday saw only a 25% drop, meaning strong audience retention. If this trend continues, trade experts estimate the film could reach around ₹27 crore by the end of the first week.
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Which is the same range as Deva, a brand new film. No repeat-run film has ever done that before. And yet no one is calling it a remake.
When Baby John and Deva failed the remake factor was blamed instantly. The verdict was clear “audiences don’t want old stories rehashed”. But Sanam Teri Kasam following the classic Love Story formula has become a Box Office hit and the discussion has changed.
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Why? Because it wasn’t sold as a remake. Over time the film has built a cult following and audiences were able to connect with it emotionally rather than just looking at it as another adaptation. This proves that audiences don’t hate remakes; they hate bad storytelling.
But should filmmakers take this as an opportunity to revive the remake era? No way. Sanam Teri Kasam worked because it resonated with the audience not because it was a remake.
If remakes have to work they have to be reimagined with fresh storytelling and emotional depth. The failure of Baby John and Deva isn’t proof that remakes are dead; it’s proof that remakes need to be done right.
The silence around Sanam Teri Kasam’s remake is telling. When a remake fails everyone screams.
But when a remake-like film succeeds no one acknowledges it. This is the truth remakes aren’t the problem. Bad filmmaking is.
