The Kannada film Kantara 1, directed and acted by Rishab Shetty, achieved phenomenal success not only in Karnataka but also across other Indian states. The movie, which celebrated Hindu culture, traditions, and Sanatana Dharma, struck a deep chord with audiences nationwide. Many viewers wondered why Tamil filmmakers rarely attempt such rooted and spiritual stories, often choosing instead to focus on themes of oppression, caste, and the darker aspects of society.
In Tamil Nadu, Kantara Chapter 1 was hailed as an extraordinary cinematic experience. Many felt that local filmmakers could draw inspiration from its storytelling depth and authentic portrayal of tradition.
The success meet of director Mari Selvaraj’s latest film Bison took place in Chennai yesterday and became a major talking point after director Pa. Ranjith, known for Kabali and Kaala, delivered a powerful and emotional speech. Reflecting on his journey, the social themes in his films, and Mari Selvaraj’s success, Ranjith expressed disappointment over the way some sections of Tamil audiences and critics react whenever a film from another language becomes a massive hit.
He pointed out that whenever films like Kantara succeed, a section of people start trolling Tamil filmmakers. Ranjith said people often post photos of him, Mari Selvaraj, and Vetrimaaran, blaming them for Tamil cinema’s lack of mainstream success. “In Tamil Nadu, around 300 films are made every year, while we direct maybe one film every two years. That means almost 600 other films get released in that time. So why direct your frustration only at us?” he questioned.
Ranjith further stated that whenever a film like Kantara becomes a big hit, Tamil fans single out just three directors and claim they have ruined Tamil cinema.
He also urged people to stop labeling every socially themed Tamil film as a caste-based movie without understanding its deeper meaning. According to him, audiences should be free to interpret films without bias or negativity. “People will watch the movies they love. Why troll or dismiss films from different perspectives before even watching them?” he asked.
Pa. Ranjith concluded by encouraging Tamil filmmakers to focus on creating powerful, original stories instead of comparing themselves with other industries. He emphasized that filmmakers like him, Mari Selvaraj, and Vetrimaaran represent only a small part of Tamil cinema, and it is unfair to hold them responsible for the industry’s shortcomings.
Although his last film Thangalaan did not meet expectations, Ranjith is set to return next year with Vettuvam, which he promises will be another socially relevant and impactful story.
