In 2025, production houses have delivered a mix of hits, misses, and surprises. Dharma Productions stands out for experimenting across genres and platforms, giving audiences both memorable films and forgettable ones.
The year began with Nadaaniyan, starring Ibrahim Ali Khan and Khushi Kapoor. Released on Netflix in March, it was heavily trolled, and the old claim that Dharma favours star kids resurfaced once again.
April brought Kesari: Chapter 2, which earned strong reviews from critics. It wasn’t a massive box office success, but many viewers appreciated its depth and ranked it among Dharma’s better films this year.
In July, Dharma released Aap Jaisa Koi on Netflix, a rom-com starring R. Madhavan and Fatima Sana Shaikh. Though charming, the film’s story relied on dated tropes, something the studio has often been accused of repeating.
That same month, Sarzameen, another Netflix release starring Ibrahim Ali Khan, went largely unnoticed. The patriotic drama failed to impress viewers, and Ibrahim’s performance drew criticism.
Then came Dhadak 2 and Homebound, two of Dharma’s strongest releases of the year. Dhadak 2 was praised for its bold storytelling and fearless creative choices. Homebound turned out to be Dharma’s biggest success yet it won international awards, earned critical acclaim, and became India’s official entry for the Oscars.
Right now, Sunny Sanskari Ki Tulsi Kumari is running in theatres. Fans are divided, but it works as an easy, lighthearted watch.
Next up is Tu Meri Main Tera, Main Tera Tu Meri Se, another rom-com slated for a December release. Alongside these, Dharma also produced a Punjabi film and distributed the South Indian movie Mirai in the northern market.
So far, 2025 has tested Dharma Productions. It has proved that the studio recognises good stories it just doesn’t always back them. Fans now hope for more Dhadak 2s and Homebounds in the months ahead.
