Most Unwanted Sequel: LGBTQ Propaganda Returns?

Ayushmann Khurrana Chandigarh Kare Aashiqui sequel

Ayushmann Khurrana has built a career playing relatable urban characters, and reports suggest he may return to that space once again. Buzz indicates that his 2021 film Chandigarh Kare Aashiqui is being considered for a sequel by the makers.

According to reports, work on a sequel to Chandigarh Kare Aashiqui is underway, with plans to retain the original cast. The first film featured Ayushmann Khurrana as Manvinder Munjal and Vaani Kapoor as Maanvi Brar.

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The proposed sequel is expected to extend the core idea of the original film while introducing a fresh narrative direction. Makers reportedly want to take the story forward instead of repeating the same conflict.

Audience response to this news has been mixed. While sequels remain popular in Hindi cinema, many viewers remain doubtful about the viability of continuing a story that struggled during its initial release.

Chandigarh Kare Aashiqui failed to perform well at the box office. It earned around 38.57 crore worldwide despite being made on a much higher budget, leading to its classification as a commercial failure.

The film also faced heavy trolling after release. Sections of the audience labelled it as LGBTQ propaganda, which further impacted its reception and public perception.

Many fans are now questioning the logic behind making a sequel to a film that did not connect commercially. The film’s focus on transgender relationships made several viewers uncomfortable at the time.

Some believe the makers feel audiences may be more accepting of such themes now, nearly five years after the film’s release. They see this period as an opportunity to revisit the subject.

However, given prevailing audience sensibilities in India, doubts remain about its box office prospects. Films that address sensitive social topics often struggle to convert attention into ticket sales.

While planning a sequel is a bold step, it has raised concerns among viewers. Many are questioning whether taking such a risk is justified, considering the response to the first film.

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