Two Telugu films set against rural backdrops, Peddi and Lenin, released within a short gap of each other.
Interestingly, the heroine tracks in both films became major talking points, but for completely opposite reasons.
In Peddi, Janhvi Kapoor‘s track was brutally trolled and ended up becoming one of the film’s biggest negatives. What was meant to be a commercial subplot turned into a nationwide discussion, with criticism spreading from Telugu audiences to national media. Many felt the track weakened the film and dragged down its overall impact.
In contrast, Lenin had its own uncertainty surrounding the heroine’s role. Bhagyashri Borse replaced Sreelala, and given the mixed reception to her previous films, there were doubts about how the character would be received. Surprisingly, the outcome has been quite different. While the role itself is nothing extraordinary, the way it has been written and presented has earned Bhagyashri decent appreciation from audiences. Instead of becoming a liability, the heroine track has worked in the film’s favor.
The comparison is interesting because these are two rural backdrop commercial entertainers released just weeks apart, yet the heroine tracks have received completely opposite reactions.
It also reflects how much the landscape has changed. Traditional commercial heroine roles are nothing new in Telugu cinema, but in the social media era, every scene, character, and subplot is scrutinized instantly. Directors can no longer treat these portions as routine commercial fillers with masala and vulgarity. Even a seemingly minor track can either become an asset or dominate the conversation for all the wrong reasons.
