The release of Project Hail Mary in India is facing a major setback. The film is now expected to release without IMAX screens. This is surprising as it was designed specifically for the large format experience.
Initially, the release plan in India appeared flexible. The film was reportedly delayed by a week to avoid clashing with Dhurandhar 2. However, the situation has not improved despite this change.
IMAX screens across the country remain allocated to Dhurandhar 2. This continues beyond its opening week and extends into the second week. As a result, Project Hail Mary has lost access to premium screens.
This situation has raised questions about exhibition priorities in India. Dhurandhar 2 is a major domestic film but was not shot using IMAX cameras. In contrast, Project Hail Mary is built for large format viewing.
The decision reflects a wider trend in the Indian film market. Local films with strong demand often dominate premium screens. Theatre chains tend to prioritise revenue and occupancy over format suitability.
A film like Dhurandhar 2 offers more predictable audience turnout. This makes it a safer choice for exhibitors. Meanwhile, international films may struggle to secure premium slots despite their technical advantages.
However, this creates a clear trade off for audiences. Supporting domestic cinema is important, but it can limit viewing options. Films designed for IMAX lose their full visual impact.
For Project Hail Mary, the impact goes beyond box office performance. It affects the core viewing experience intended by the makers. This situation highlights ongoing challenges in balancing content and exhibition priorities.
